2010-05-03 04:49 PM - last edited on 2023-05-26 03:23 PM by Rubia Torres
2010-05-05 07:19 PM
Erika wrote:I have had cases where we set up separate pens for existing conditions so they could be easily greyed (or not) in any view. Of course this is a bit of a commitment to a higher level of control and detailing and is not recommended in most cases.
When you want to differentiate between existing, demo and new walls, the convention is to do that with different wall types and/or settings...
2010-05-05 07:38 PM
Matthew wrote:I agree. Of course once again, I was merely giving examples to understand the program, not figure out what I am doing in my current project.Erika wrote:I have had cases where we set up separate pens for existing conditions so they could be easily greyed (or not) in any view. Of course this is a bit of a commitment to a higher level of control and detailing and is not recommended in most cases.
When you want to differentiate between existing, demo and new walls, the convention is to do that with different wall types and/or settings...
2010-05-05 07:49 PM
allegronea wrote:It's about framing the question. Yours appeared to asking a specific question rather than starting a general discussion. It is important to be clear about this so people don't spend time answering the wrong question.
I understand it would be easier if I told you guys exactly what I need to do, but the reason I made this topic in the first place was to understand how line weights work within the program rather than figuring out how to do something specific within a given, current project. Sorry I wasn't clear on that. Thanks again.
2010-05-05 08:01 PM
Matthew wrote:Another option that I imagine is common (at least I use it) is to separate demo / existing / new via layers, but all use the same pens. (This keeps the pen table simpler, but makes drawing assembly more complex.) Then, set up two or three views, each with its own pen set to display the demo / existing / new as desired and stack the views onto the layout.Erika wrote:I have had cases where we set up separate pens for existing conditions so they could be easily greyed (or not) in any view. Of course this is a bit of a commitment to a higher level of control and detailing and is not recommended in most cases.
When you want to differentiate between existing, demo and new walls, the convention is to do that with different wall types and/or settings...
2010-05-05 08:22 PM
Matthew wrote:This thread was about pen sets. I'm not sure how much more clear I have to be when I start my saying 'for an example'. But I really do appreciate the effort guys.. either way all feedback helps, but I can't control how far you bring this!allegronea wrote:It's about framing the question. Yours appeared to asking a specific question rather than starting a general discussion. It is important to be clear about this so people don't spend time answering the wrong question.
I understand it would be easier if I told you guys exactly what I need to do, but the reason I made this topic in the first place was to understand how line weights work within the program rather than figuring out how to do something specific within a given, current project. Sorry I wasn't clear on that. Thanks again.
2010-05-05 08:24 PM
Karl wrote:I like this, thank you.
Another option that I imagine is common (at least I use it) is to separate demo / existing / new via layers, but all use the same pens. (This keeps the pen table simpler, but makes drawing assembly more complex.) Then, set up two or three views, each with its own pen set to display the demo / existing / new as desired and stack the views onto the layout.
For allegronea's benefit, such a view for the demo elements, e.g., would just show the demo elements ... and display them with the desired pen colors and weights. Those elements would not be visible in the other views. Once all views (drawings) are stacked up on a layout, the desired result is obtained.
Karl
2010-05-20 02:54 PM