2005-03-22 11:44 PM
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Dwight wrote:Do they really, though? I mean, sure, they definitely teach about how to put modelling materials together, or baskets, but what does any of that have to do with how to actually build a building (serious question)?
In the old days, we did basket weaving and moccasin stitching as a part of design school. What did these things have to do with architecture?
It taught about how things went together, and physical models do that,
ArchiCAD: bunch of dots. X-acto knife : band-aidsExactly. I prefer keeping my fingers intact <g>.
In your case, what with your challenges, have somebody pre-cut your modeling material in strips, or get a tiny power chop saw or use tiny maple building blocks as modules.....Interesting thoughts, Dwight. I'm not sure how I could have anyone precut anything when I don't know what I'm going to do with it, but it bears some thinking about for situations in which I do have some idea. If I could find a small enough chop saw or even tablesaw (and enough space to put them in my house), that would help a lot, so thanks for the suggestions.
Graeme wrote:My thoughts precisely, Graeme.
I personally like working in AC as opposed to real models. Real models are very time consuming and hard to modify if changes are required. Real models are also an illusion as one never sees a model from such a height as clients and authorities normally view a model. The only time a real model is realistic is when one takes photos of it from the actual eye level of observers.
Having said that though, clients love real models. They feel they have something real they can look at, however illusory. Many clients are also like some of your teachers and a computerphobic hating anything to do with computers. Any drawing or image they see as too technical when prepared by computer.That's certainly worth thinking about. I guess I'm just so accustomed to presenting to architects and designers. I really don't have that sort of experience with clients.
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